the world of yesterday

WHEN IT’S TOO LATE TO STOP FASCISM, ACCORDING TO STEFAN ZWEIG

http://www.newyorker.com/books/page-turner/when-its-too-late-to-stop-fascism-according-to-stefan-zweig

During the early years of Hitler’s rise, Zweig was at the height of his career, and a renowned champion of causes that sought to promote solidarity among European nations. He called for the founding of an international university with branches in all the major European capitals, with a rotating exchange program intended to expose young people to other communities, ethnicities, and religions. He was only too aware that the nationalistic passions expressed in the First World War had been compounded by new racist ideologies in the intervening years. The economic hardship and sense of humiliation that the German citizenry experienced as a consequence of the Versailles Treaty had created a pervasive resentment that could be enlisted to fuel any number of radical, bloodthirsty projects.

They took him neither seriously nor literally. Even into the nineteen-thirties, “the big democratic newspapers, instead of warning their readers, reassured them day by day, that the movement . . . would inevitably collapse in no time.” Prideful of their own higher learning and cultivation, the intellectual classes could not absorb the idea that, thanks to “invisible wire-pullers”—the self-interested groups and individuals who believed they could manipulate the charismatic maverick for their own gain—this uneducated “beer-hall agitator” had already amassed vast support. After all, Germany was a state where the law rested on a firm foundation, where a majority in parliament was opposed to Hitler, and where every citizen believed that “his liberty and equal rights were secured by the solemnly affirmed constitution.”

Eventually, even well-meaning journalists and intellectuals became guilty of what he called “the ‘doping’ of excitement”—an artificial incitement of emotion that culminated, inevitably, in mass hatred and fear. Describing the healthy uproar that ensued after one artist’s eloquent outcry against the war in the autumn of 1914, Zweig observed that, at that point, “the word still had power. It had not yet been done to death by the organization of lies, by ‘propaganda.’ “

Propaganda both whipped up Hitler’s base and provided cover for his regime’s most brutal aggressions. It also allowed truth seeking to blur into wishful thinking, as Europeans’ yearning for a benign resolution to the global crisis trumped all rational skepticism.